<![CDATA[SALOMON MOSHE - ARCHITECT

<![CDATA[SALOMON MOSHE - ARCHITECT - SketchBlog]]>Mon, 18 May 2026 05:49:03 -0700Weebly<![CDATA[Archipelago City in Spilled Tea]]>Fri, 10 Jun 2022 07:52:59 GMThttps://www.urban-anatomy.com/sketchblog/archipelago-city-in-spilled-tea

Spilled hibiscus and rosehip tea seemed to me like islands waiting for urbanization. Apparently I see cities everywhere.
Streets, alleys, waterways interweaving.

The red color of the tea immediately turned mauve, apparently a reaction with some chemical element of the paper..

Size: 19 x 25 cm
Technique: Hybiscus and RosehipTea, Graphite and Blue Watercolor on Paper.

]]><![CDATA[Watercourtyards and Wateralleys]]>Thu, 10 Oct 2019 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/water-alleys-and-courts

How is it like to live by a water courtyard leading to another water courtyard?
The water seems to be shallow and apparently there are some stones to walk upon.

Size: 19 x 14 cm
Technique: pencil and watercolor on paper.

]]><![CDATA[Dressing Bare Cities]]>Wed, 09 Oct 2019 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/bare-cities

Before the dogmatic restrictions of modern architecture and planning - harmonic features evolved: connected buildings, vertical windows, ornament, 'connection to the sky' and more.

Looking at the streets of modern cities I'm possessed by a drive of dressing the bare urban environment with its natural garments.

]]><![CDATA[Intuos-1]]>Sun, 08 Sep 2019 10:37:19 GMThttps://www.urban-anatomy.com/sketchblog/intuos-1

My first trial on a graphic tablet.

Drawing on an horizontal pad and looking at a vertical screen made me dizzy in the beginning but I sort of got used to it after a few moments.

Still missed the inaudible sound of a pencil making marks on paper and the inconsistencies of the graphite and the paper.

]]><![CDATA[Passargada-1]]>Tue, 10 Oct 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/october-09th-20172653370

The thin, semi-opaque pages of this sketchbook let the felt-tip markers show through, creating clues for drawings in the verso of the sheet.
The hazy smudges produced in the verso looked to me like buildings, I only had to draw lines around the marks consolidating their final shapes and volume.

Size: 13 x 8 cm
Technique: pencil and felt-tip markers on paper.

]]><![CDATA[Fostat]]>Sun, 03 Sep 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/october-09th-2017

Another urban reverie, a neighborhood composed of courtyards, main spaces, alleys.

Without any premeditated planning, I just let shapes emerge out of a latent inner collection of urban patterns, absorbed ever since I became interested in places and placemaking.

Size: 16 x 11 cm
Technique: pencil and felt-tip marker on paper.

]]><![CDATA[Palau-2]]>Thu, 10 Aug 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/palau-2

A variation of the 'main building' theme.
I generally explore a subject for a long time, triggered by some conscious or subconscious source of inspiration, until I feel I learned or exhausted the subject.
As a practicing architect, my sketches are a depiction of imaginary, yet feasible places.

Size: 14 x 11 cm
Technique: pencil on paper.

]]><![CDATA[Ocher marks in old philatelic family album]]>Tue, 11 Jul 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/old-philatelic-family-album

The stamps' hinges left ocher marks in the yellowing pages of this old booklet that was long ago used as a family philatelic album, a great starting point for unconscious thoughts to flow into the blank pages and condense into unexpected urban shapes.

To a certain extent, his method mimics incremental urban processes, where new layers are build upon previous facts on the ground, frequently reinterpreted by newer intentions or realities.

Size: 19 x 13.5 cm
Technique: pencil and old marks found on paper.

]]><![CDATA[Palau-1]]>Wed, 10 May 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/palau

Another recurring theme I try to explore in my architectural 'daydreaming' is the essence of traditional composition and its principles, such as symmetry and subtle asymmetry, axiality, hierarchy, focal points, rhythm, repetition.
I believe that patterns canonized through history somehow reflect hidden patterns of the mind.

Size: 13 x 12 cm
Technique: pencil and watercolor on paper.

]]><![CDATA[Courtyard in Corfu]]>Sun, 02 Apr 2017 07:00:00 GMThttps://www.urban-anatomy.com/sketchblog/october-25th-2018

Made as a demonstration of the one-point perspective method in spatial visualization, this quick sketch was drafted on an overhead projector, on a sheet of cellulose acetate and a felt-tip black permanent marker.

I like the straightforwardness of this sketch, as well as the resolute indelibility inherent in the use of marker pens.

Size: 20 x 23 cm
Technique: felt-tip permanent marker on cellulose acetate film

]]><![CDATA[Ukbar]]>Fri, 03 Mar 2017 08:00:00 GMThttps://www.urban-anatomy.com/sketchblog/ukbar

Some subjects stick in my mind for quite a long time, and I make endless variations of the same theme. This facade-towers-aqueduct-steps theme recurred for a while in my sketchbook. The semi-opaque pages of this sketchbook were too thin to support any watercolor, so I applied a felt-tip marker layer of a warm color for the buildings and a blue layer for the sky.

Size: 13 x 8 cm
Technique: Pencil and felt-tip markers on paper.

]]><![CDATA[Alhures-1]]>Thu, 02 Feb 2017 08:00:00 GMThttps://www.urban-anatomy.com/sketchblog/alhures-1

Urban plans is another recurrent theme that pops up obsessively and involuntarily in my daily, compulsive sketching, mostly suggesting cities built incrementally over time, showing layers of grids, landmarks, public spaces, synergies of organic development and formal structures.

Although I sketch with no particular purpose, sketching allows a constant research on design themes and a constant training of composition skills.

]]><![CDATA[After Santorini]]>Sun, 01 Jan 2017 08:00:00 GMThttps://www.urban-anatomy.com/sketchblog/sketches

This sketch surfaced during a phone conversation, a short time upon returning from a study trip to the Oia village in Santorini, Greece.
The soft architecture forms and interlocked architectural patterns of the village that were still awake in my memory after returning, unintentionally flew onto that piece of paper left at my desk.
The full report of this field course by the Technion's Faculty of Architecture students can be seen here.

Size: 16 x 11 cm
Technique: Technical pen on tracing paper

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